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VAHRAM AGHASYAN
Vahram Aghasyan was born in Armenia, in 1974, he lives and works in Yerevan, Armenia. He is currently partaking in the exhibition “Progressive Nostalgia” at the Luigi Pecci, Prato, Italy, and 1st Thessaloniki Biennale of Contemporary Art titled Heterotopias. His works have been shown in “Contemporary video Art from Armenia” Musée d’art Contemporain, Lyon and “Neighbors in dialogue” in Feshane-i Amire, Ýstanbul, he was in the group show “Resistance through art” in the Armenian Pavilion at the 51st Venice Biennale (2005). His last solo exhibition in Armenia “Ghost City” was hosted by the ACCEA-Armenian Center for Contemporary Experimental Art. The modernistic project in Armenia was half failed and half remained unfinished. In his video installations and digital photos, Aghasyan investigates these architectural sites, and shows the social aspects of local modernity, by means of the analysis of historical, figurative and geopolitical aspects of the Soviet architecture.
Ghost city
With a population of 149,000 people, Gyumri is the second biggest city in Armenia but also famously suffered from a terrible earthquake that took place in 1988. In order to help those who had been made homeless, the Soviet Government decided to build a new residential area called Mush. It is a fairly large area next to the city. Construction was started in 1989 but was never finished. Mush is very near the city centre. You only have to travel ten minutes from the centre and you find yourself in this dreadful “wilderness” of dead buildings. In Mush the ghostly spectre of Modernism is ever present. It is a spectre because the modernist construction was never finished. In Armenia, Modernism will never completely go away, because it never fully arrived. Residential buildings and areas were increasingly pushed out to the suburbs and outskirts of cities and forgotten. To this day they are paid little or no attention. They have been left at mercy of time and weather and some day they will fade away. But before they do so, they stand as a silent reminder of certain truths. When one stands in the centre of Mush and observes the buildings that have failed to fulfill their function one can’t stop thinking of the bright future that was intended for them and the utopian aura that these buildings carry within themselves.
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